Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Issues of Theory and Practice. Tambov: Gramota, 2017. № 7. P. 173-176.
STYLE PECULIARITIES OF S. PROKOFIEV’S PIANO SONATA № 3 IN THE CONTEXT OF EARLY CREATIVE WORK
Safonova Tat'yana Viktorovna, Fomina Zinaida Vasil'evna
Saratov State Conservatoire
Abstract. The performer’s analysis of Prokofiev’s Piano Sonata № 3 is conducted in the context of socio-psychological atmosphere of the beginning of the XX century and the theurgic art conception. The paper emphasizes the composer’s tendency to introduce a new approach to musical texture: sound, interval, chord. Specificity of young Prokofiev’s piano style - "Scythian element", prevalence of rhythmic component, toccata style, movement, dominance of energy, spurt over lyrical melodiousness - is considered in the aspect of forming typical features of his creative personality: inexhaustible optimism, self-confidence, self-sufficiency and influence of the Silver Age esthetics.
Key words and phrases: С. Прокофьев, ранний период творчества, Третья фортепианная соната, особенности стиля, беспедальный ударный пианизм, оригинальные пианистические приёмы, токкатное начало, прокофьевский ритм, новый звуковой эталон, S. Prokofiev, early creative work, Piano Sonata № 3, style peculiarities, non-pedal percussive pianism, original piano techniques, toccata element, Prokofiev’s rhythm, new acoustic model
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