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SOURCE:	Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Issues of Theory and Practice. Tambov: Gramota, 2017. № 3. Part 1. P. 101-104.
SCIENTIFIC AREA:	Study of Art
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AUTHOR’S ORIGINAL INTERPRETATION OF ORTHODOX CANONIC TEXTS IN CHORAL MUSIC OF THE SECOND HALF OF THE XX CENTURY (BY THE EXAMPLE OF "THE PRAYERS" BY D. SMIRNOV)

Morozova Anastasiya Anatol'evna
Saratov State Conservatory named after L. V. Sobinov

Abstract. The article analyzes peculiarities of author’s implementation of traditional Orthodox texts in domestic choral music of the end of the XX century. The researcher examines tendencies and specific ways of the author’s element manifestation when working with canonic structures. By the example of "The Prayers" by D. Smirnov the paper analyzes transformation of artistic language while working with the canonic text. The study concludes that the text’s emotional plane prevails over canonicity of its original structure and the composer appeals to similar acoustic experience of the addresser and the addressee.

Key words and phrases: духовно-религиозное искусство, паралитургическая музыка, современная хоровая музыка, феномен авторства, религиозная традиция, каноническое православное музыкальное искусство, spiritual-religious art, para-liturgical music, modern choral music, authorship phenomenon, religious tradition, canonic Orthodox musical art

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References:

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