Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Issues of Theory and Practice. Tambov: Gramota, 2017. № 12. Part 3. P. 101-105.
THE SHADOW OF OEDIPUS: SPECIFICITY OF RITUALISM IN THE DRAMATURGY OF THE OPERA BY B. BART?K "BLUEBEARD’S CASTLE"
Krasnova Ol'ga Borisovna
Sobinov Saratov State Conservatory
Abstract. The article analyzes the opera by B. Bart?k, revealing the relationship of the myth-ritual triad and the symbolic arsenal of the plot in the dramaturgy. The paper proposes an approach that relates the psychological and mythological aspects of the opera in a new way. The author comes to the conclusion that the text of the opera represents the stages of a liminal ritual leading to the character’s acquisition of a new status and the exchange of standard ritual roles. The material of the study can be used in higher school courses on the history of art.
Key words and phrases: мистерия, символическая драма, мифоритуальный статус, драматургия, триадность, Природа и Культура, Mystery, symbolic drama, myth-ritual status, dramaturgy, triad character, Nature and Culture
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