Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Issues of Theory and Practice. Tambov: Gramota, 2017. № 12. Part 3. P. 74-78.
DIALOGUE OF POETRY AND MUSIC IN E. KUZINA’S VOCAL CYCLE "TRIPTYCH ON M. TSVETAEVA’S POEMS"
Isaeva Svetlana Aleksandrovna, Gulaya Tat'yana Nikolaevna, Venchakova Svetlana Vyacheslavovna
National Research Ogarev Mordovia State University
Saransk Music College named after L. P. Kiryukov
Abstract. The article presents the analysis of the vocal cycle "Triptych on M. Tsvetaeva’s Poems" by the composer of Mordovia E. V. Kuzina from the position of philosophical reflections, the "dialogue" interaction of poetry and music; identifies tune-intonation and tune-harmony features, the compositional structure of the work. The musical language, the manifestation of classical and polystyle tendencies of composer’s writing are considered. The authors note the prospects for the development of vocal intonation in contemporary composer’s creativity.
Key words and phrases: Е. В. Кузина, камерно-вокальное творчество, вокальный цикл "Триптих на стихи М. Цветаевой", декламационно-речевая интонация, лейтинтервалика, полиинтонационная мелодия, композиционная логика, E. V. Kuzina, chamber-vocal creativity, vocal cycle "Triptych on M. Tsvetaeva’s Poems", recitation-speech intonation, leit intervalics, polyintonational melody, composition logic
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