Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Issues of Theory and Practice. Tambov: Gramota, 2017. № 12. Part 2. P. 169-174.
Rykov Anatolii Vladimirovich
Saint Petersburg University
Abstract. The article is devoted to the interpretation of the scientific heritage of the largest Russian art critic Mikhail Vladimirovich Alpatov (1902-1986). Key discourses of his work (intuitionism, aestheticism, "Neo-Platonism", "primitivism", secular religiosity) are considered in connection with the symbolic structures of the Soviet culture. The nationalistic aspects of the scientist’s works are in the context of Stalin’s cultural policy. Special attention is paid to the postmodernist connotations of M. V. Alpatov’s "imaginary museum", the trans-historical dimension of his art history.
Key words and phrases: УДК 7.011, Михаил Владимирович Алпатов, теория искусства, национализм, советское искусствознание, эстетизм, сталинская культурная политика, Mikhail Vladimirovich Alpatov, theory of art, nationalism, Soviet art history, aestheticism, Stalin’s cultural policy
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