Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Issues of Theory and Practice. Tambov: Gramota, 2016. № 5. P. 65-68.
GENRE SYNTHESIS IN SOVIET COMPOSERS’ SONATAS FOR CELLO AND PIANO
Gudozhnikova Ol'ga Nikolaevna
Magnitogorsk State Conservatory (Academy) named after M. I. Glinka
Abstract. The article examines Soviet composers’ sonatas for cello and piano in the light of genre synthesis - one of the typical tendencies of the XX century music. The process of genre interaction is implemented at different levels. The typical features of the represented genres enrich the sonata, its content, compositional structure and stylistics. The author identifies the following outcomes of genre interaction: the tendency for one-part structure, using baroque elements, introducing the features of the concert and symphony.
Key words and phrases: соната для виолончели и фортепиано, жанровый синтез, традиционная жанровая модель, отображенные жанры, одночастность, концертность, симфоничность, sonata for cello and piano, genre synthesis, traditional genre model, represented genres, one-part structure, concert features, symphony features
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Русский
