Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Issues of Theory and Practice. Tambov: Gramota, 2016. № 3. Part 2. P. 191-195.
BACKGROUNDS FOR FORMATION OF NATIONAL LANDSCAPE IN FRENCH ART OF THE XVII-XVIII CENTURIES
Frolova Marina Anatol'evna
St. Petersburg Repin State Academic Institute of Painting, Sculpture and Architecture of Russian Academy of Arts
Abstract. In literature on art criticism an opinion formed long ago that appeal for French nature motives is a novelty of the painters of the XIX century. But interest in national landscape had developed implicitly over several centuries in pictures by Le Nain brothers, A. Watteau, F. Boucher and Jean-Honor? Fragonard, in romanticism painters’ works. The article is devoted to the creative work of little known painters of the XVIII century - Jean-Baptiste Oudry, Alexandre Francois Desportes, Simon Mathurin Lantara, and Gustave Moreau - the real predecessors of the Barbizon school.
Key words and phrases: национальный пейзаж, французская школа живописи, Ж.-Б. Удри, А.-Ф. Депорт, C. Лантара, Л.-Г. Моро, national landscape, French school of painting, Jean-Baptiste Oudry, Alexandre Francois Desportes, Simon Mathurin Lantara, Gustave Moreau
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