Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Issues of Theory and Practice. Tambov: Gramota, 2016. № 3. Part 2. P. 135-138.
MIMESIS OF SPACE IN TECHNOLOGIES OF MUSICAL SOUND RECORDING
Sibiryakov Vasilii Nikolaevich
Lomonosov Moscow State University
Abstract. The article is devoted to the analysis of the esthetic category of mimesis by the example of spatiality in sound recording. The author follows the manifestation of mimesis in such techniques of sound processing as artificial reverberation and echo creating conditions for the idealization of acoustic space. Special attention is paid to the semantic meaning and esthetic potential of spatial sound effects in the categories of time and memory. Their mimetic nature is revealed through mythology that points at irrational basis in music.
Key words and phrases: эстетика звукозаписи, мимесис, пространственные звуковые эффекты, звукорежиссура, музыкальное искусство, esthetics of sound recording, mimesis, spatial sound effects, audio engineering, musical art
Open the whole article in PDF format. Free PDF-files viewer can be downloaded .
References:
Veidle V. V. Embriologiya poezii: stat'i po poetike i teorii iskusstva / sost., komment. i poslesl. I. A. Doronchenkova; per. s fr. O. E. Volchek; per. s nem. E. Yu. Kozinoi. M.: Yazyki slavyanskoi kul'tury, 2002. 456 s.
Gul'd G. Izbrannoe: v 2-kh t. / sost. T. Peidzh; per. s angl. V. Bronguleeva, A. Khitruka. M.: Klassika-XXI, 2006. T. 2. 216 s.
Istoriya filosofii v kratkom izlozhenii / per. s chesh. I. I. Boguta. M.: Mysl', 1997. 590 s.
Krivtsun O. Retsenziya na monografiyu: Kryuchkova V. A. Mimesis v epokhu abstraktsii: obrazy real'nosti v iskusstve vtoroi parizhskoi shkoly. M.: Progress-Traditsiya, 2010 [Elektronnyi resurs] // Iskusstvoznanie. 2012. № 1-2. S. 657-663. URL: http://sias.ru/publications/magazines/art/?ELEMENT_ID=1559 (data obrashcheniya: 16.11.2015).
Mify narodov mira / gl. red. S. A. Tokarev. M.: Sovetskaya entsiklopediya, 2008. 1147 s.
Orlov G. Drevo muzyki. SPb.: Kompozitor, 2005. 440 s.
Emmerson S. The Relation of Language to Materials // The Language of Electroacoustic Music / ed. by S. Emmerson. N. Y.: Harwood Academic Publishers, 1986. P. 17-39.
Klepko J. Effects of Effects: Exploring the Message behind the Use of Echoes on Vocals // Practising Popular Music: The 12th Biennial Conference of the International Association for the Study of Popular Music (IASPM). Montreal, 2003. P. 472-477.
Weiss A. Varieties of Audio Mimesis: Musical Evocations of Landscape. Berlin: Errant Bodies Press, 2007. 109 p.
Русский
