Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Issues of Theory and Practice. Tambov: Gramota, 2016. № 3. Part 1. P. 56-60.
ROLE OF CALLIGRAPHY AND PAINTING IN NEW CHINESE MUSIC
Dai Yu
Nizhny Novgorod State Conservatory named after M. I. Glinka
Abstract. The article analyzes the interaction of calligraphy as an art with music while composing and performing. This problem is under study for the first time. The author reveals the reason for Chinese composers’ concern to express the ideas of traditional calligraphy and painting by musical language and focuses on the interaction of theatralization and the process of concert performance, the harmony of a visual image and music, ink density and musical texture.
Key words and phrases: каллиграфия, живопись, китайская новая музыка, визуализация музыки, театральность в "чистой музыке", calligraphy, painting, Chinese new music, visualization of music, theatralization in "pure music", calligraphy, painting, Chinese new music, visualization of music, theatralization in "pure music"
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