Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Issues of Theory and Practice. Tambov: Gramota, 2016. № 11. Part 2. P. 156-159.
EVOLUTION OF THE ARTISTIC WORLD BY FRITZ LANG IN THE FILM "THE WANDERING IMAGE" (1920)
Roman Sergei Nikolaevich, Bulavkin Klim Valer'evich
Moscow State Regional Institute of Humanities in Orekhovo-Zuevo
Abstract. The article considers the ideological and artistic features of Fritz Lang’s film "The Wandering Image". The authors analyze the nature of social and philosophical problems depicted in the film, which were the key ones in the creative work of L. N. Tolstoy, G. Hauptmann, and F. Nietzsche; and describe artistic techniques that were used by the director to express Christian ideals inherent in folk culture. Particular attention is paid to Fritz Lang’s refusal of film expressionism and symbolism traditions in favor of everyday sketches, location shooting, and realistic representation of different social strata’s life.
Key words and phrases: киноискусство, история художественно-игрового кино, экспрессионизм, символизм, Фриц Ланг, cinematography, history of feature and live-action cinema, expressionism, symbolism, Fritz Lang
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