Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Issues of Theory and Practice. Tambov: Gramota, 2016. № 1. P. 23-26.
SPECIFICS OF SYNTHETIC GENRE INTERPRETATION OF THE CONCERT-POEM FOR BALALAIKA AND RUSSIAN FOLK ORCHESTRA BY NATALYA KHONDO
Baushev Andrei Valer'evich
The Rachmaninov Institute in Tambov
Abstract. The sphere of modern folk instrumental art is distinguished by a large number of mixed genre structures. Such formations are prevalent first of all in concert genre. The article examines the Concert-Poem by N. Khondo from the viewpoint of the originality of its genre content; in particular, the author aims to identify mixed genre nature in this composition. The poem character elements in synthesis with the generic genre features of concert are of special importance in the composition by the young composer N. Khondo.
Key words and phrases: народно-инструментальное творчество, концерт для балалайки, концерт-поэма, жанровые микстовые структуры, Наталья Хондо, folk instrumental art, concert for balalaika, concert-poem, genre mixed structures, Natalya Khondo
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