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SOURCE:    Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2015. № 3. Part 3. P. 85-89.
SCIENTIFIC AREA:    Philosophical Sciences
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ANTHROPOLOGICAL PARADIGM IN PORTRAIT CREATIVE WORK OF M. V. NESTEROV

Kotlyarova Natal'ya Vladimirovna
Tula State Pedagogical University named after L. N. Tolstoy


Abstract. The aim of the article is to consider the influence of the anthropological orientation of the Russian culture at the end of the XIX - the beginning of the XX century on the portrait creative work of the Russian artists M. V. Nesterov. Address to this topic is relevant since the study of the anthropological orientation of the Russian culture of the sought period represented by means of paintings allows opening new dimensions in the understanding of man, his/her fate and destiny. The paper gives a detailed analysis of M. V. Nesterov’s portrait creative work, and basing on it the author of the article reveals the characteristic features of the artistic anthropological paradigm.
Key words and phrases: духовно-культурный ренессанс, русская культура конца XIX - начала ХХ века, антропологический принцип, черты художественной антропологической парадигмы, художественная идея, портретное творчество, портретный образ, гуманистические качества личности, символичность изображения, мировоззрение, нравственный идеал, spiritual and cultural renaissance, the Russian culture of the end of the XIX - the beginning of the XX century, anthropological principle, features of artistic anthropological paradigm, artistic idea, portrait creative work, portrait image, humanistic qualities of person, symbolic nature of image, world outlook, moral ideal
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