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SOURCE:    Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2015. № 10. Part 2. P. 212-215.
SCIENTIFIC AREA:    Pedagogical Sciences
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MODULATION IMPROVISATION IN HARMONY CLASS

Shaposhnikova Yuliya Vladimirovna, Tikhonova Oksana Viktorovna, Polekh Ivan Vladimirovich
Saint Petersburg State University

Tchaikovsky Moscow State Conservatory


Abstract. The article identifies certain difficulties arising in the process of the professional musician’s training. In particular, the paper touches on the problems associated with the practical adoption of piano playing according to a specified digital record, and with the execution of the exercises on modulation structures improvisation. The authors developed a universal scheme, the application of which, in their opinion, structures theoretical knowledge, helps to adopt new teaching material, stimulates hearing aid as priority in work with musical exercises and promotes the development of the student’s creative potential.
Key words and phrases: гармония, модуляция, импровизация, модулирующий период, подготовка профессионального музыканта, harmony, modulation, improvisation, modulation period, professional musician’s training
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References:
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  2. Rimskii-Korsakov N. A. Prakticheskii uchebnik garmonii. SPb.: Tipo-litografiya Arngol'da, 1886. 141 s.
  3. Sposobin I. V. Lektsii po kursu garmonii. M.: Muzyka, 1969. 243 s.
  4. Taneev S. I. Materialy i dokumenty. M.: Izd-vo AN SSSR, 1952. T. 1. Perepiska i vospominaniya. 355 s.
  5. Kholopov Yu. N. Garmoniya. Prakticheskii kurs: uchebnik. Izd-e 2-e. M.: Kompozitor, 2005. Ch. 1. 472 s.
  6. Chaikovskii P. I. Rukovodstvo k prakticheskomu izucheniyu garmonii. M.: Parovaya skoropechatnya not P. Yurgensona, 1897. 153 s.

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