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SOURCE:    Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice
. Tambov: Gramota, 2015. № 1. Part 2. P. 80-87.
SCIENTIFIC AREA:    Culturology
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COMPARATIVE ANALYSIS OF THE RUSSIAN IMAGES OF CAUCASIA AND THE CAUCASIAN IMAGES OF RUSSIA OF THE FIRST HALF OF THE XIX CENTURY

Kazakova Elena Aleksandrovna
Ural Federal University named after the first President of Russia B. N. Yeltsin


Abstract. The article is devoted to the problem of the search of the cultural mechanisms of the cognition of the "Other", and the author considers the sphere of art as the most important of them. It is proved that art (poetry) in the first half of the XIX century was virtually the only means of fixing and reviewing the "Other", as well as of overcoming its frightening "strangeness". It is also proved that the invariant romantic image of Caucasia in the works of the Russian classics was filled with the variative substantial characteristics of ethnic and confessional sense. By the materials of the Caucasian poetic traditions of the period under review the author studies the image of Russia, which had not obtained an adequate theoretical representation. The found "response" allows the author to make a conclusion about the bilateral nature of artistic communication concerning the arisen otherness.
Key words and phrases: художественный образ, образ Кавказа, образ России, "Другой", художественное общение, artistic image, image of Caucasia, image of Russia, the "Other", artistic communication
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