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SOURCE:	Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Issues of Theory and Practice. Tambov: Gramota, 2014. № 5. Part 1. P. 30-32.
SCIENTIFIC AREA:	Study of Art
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PERCEPTION OF ACTOR’S BODY IN PLASTIC PERFORMANCE: PHILOSOPHICAL ASPECT

Berezhnaya Elena Alekseevna
Saint-Petersburg University of Humanities and Social Sciences

Abstract. The article deals with the problem of the perception of an actor’s body by the spectator in a plastic theatre from the viewpoint of phenomenology and body-oriented approach in cognitive sciences. The paper investigates the method of the presentation of a piece of art by the example of the plastic theatre "PoemaTheatre" and the specifics of the perceptive process of a recipient. The author reveals the meaning of the phenomenon of "body thresholds" and also analyzes the peculiarities of the metaphysical interaction of the bodies of an actor and a spectator during the performance.

Key words and phrases: тело, телесность, пластический театр, восприятие, феноменология, телесно-ориентированный подход, body, physicality, plastic theatre, perception, phenomenology, body-oriented approach

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References:

Beskova I. A., Knyazeva E. N., Beskova D. A. Priroda i obrazy telesnosti. M.: Progress-Traditsiya, 2011. 456 s.
Pavi P. Slovar' teatra. M.: Progress, 1991. 504 s.
Podoroga V. A. Fenomenologiya tela. Vvedenie v filosofskuyu antropologiyu: materialy lektsionnykh kursov 1992-1994 godov. M.: Ad Marginem, 1995. 340 s.

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