Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Issues of Theory and Practice. Tambov: Gramota, 2014. № 4. Part 1. P. 96-99.
SELF-CONSCIOUSNESS EVOLUTION OF REALIST PAINTER OF THE FIRST HALF OF THE XX CENTURY BY EXAMPLE OF N. YA. SIMONOVICH-EFIMOVA’S SELF-PORTRAITS
Kovycheva Elena Ivanovna
Udmurt State University
Abstract. The article analyzes N. Ya. Simonovich-Efimova’s self-portraits in the context of the painter’s self-consciousness evolution at various stages of the sociocultural history of Russia of the first half of the XX century. The master’s creative work, alternative to the official trends, hasn’t been examined yet in the Russian art criticism, although its value is indubitable due to adherence to art eternal qualities: interest for reality, humanism, belief in the creative personality’s freedom, firmness in the assertion of one’s ideals.
Key words and phrases: автопортрет, творческое самосознание, реализм, тоталитарная культура, self-portrait, creative self-consciousness, realism, totalitarian culture
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References:
Efimov I. S. Ob iskusstve i khudozhnikakh: khudozhestvennoe i literaturnoe nasledie. M.: Sovetskii khudozhnik, 1977. 423 s.
Simonovich-Efimova N. Ya. Vospominaniya o Valentine Aleksandroviche Serove. L.: Khudozhnik RSFSR, 1964. 188 s.
Simonovich-Efimova N. Ya. Zapiski petrushechnika i stat'i o teatre kukol. L.: Iskusstvo, 1980. 272 s.
Simonovich-Efimova N. Ya. Zapiski khudozhnika. M.: Sovetskii khudozhnik, 1982. 324 s.
Русский
