Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Issues of Theory and Practice. Tambov: Gramota, 2014. № 3. Part 1. P. 76-81.
INTERACTION OF JAZZ AND AVANT-GARDE BY EXAMPLE OF GAVRIIL POPOV’S CHAMBER SYMPHONY
Kovalenko Aleksei Nikolaevich
Municipal Budget Institution of Additional Education of Balashikha Urban District "Children’s Art School № 3"
Abstract. The article reveals the issues related to the interaction of jazz and avant-garde by the example of one work by Gavriil Nikolaevich Popov, who is a representative of the Russian avant-garde music. The interaction "jazz – avant-garde" in Chamber Symphony by G. N. Popov is considered basing on the thesis on the traditional nature of the Russian avant-garde music that influenced the ways of dealing with "foreign" musical cultures, which involved jazz in the 1920s – 1930s. The conclusion that the composer subordinated "jazz" in Chamber Symphony to the traditional academic methods of working with musical material is made.
Key words and phrases: джаз, советский джаз, блюз, Камерная симфония, Гавриил Николаевич Попов, ориентализм, экзотика, jazz, soviet jazz, blues, Chamber Symphony, Gavriil Nikolaevich Popov, Orientalism, exotics
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