Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Issues of Theory and Practice. Tambov: Gramota, 2014. № 12. Part 1. P. 154-157.
"MYSTERIOUS" MICRO-INTERVALS IN TREATISE BY FRANCISCO DE SALINAS
Polunina Elena Nikolaevna
Far Eastern Academy of Arts
Abstract. The article is devoted to micro-interval theory by Francisco de Salinas. On the basis of the treatise "De musica" the author examines a sound system, in which octave is divided into more than twelve sounds. The researcher indicates reasons for the multilevel division of octave in the music of the late Renaissance and concludes on the specific of the functioning of micro-intervals in the West European musical art of the XVI century.
Key words and phrases: музыкально-теоретические источники позднего Возрождения, ладоакустическое мышление эпохи, микрохроматика, микроинтервал, комма, диезис, чистый строй, звуковысотная система, 24-ступенная система Салинаса, суммарная хроматика, равномерно-темперированный строй, musical and theoretical sources of the late Renaissance, tonal and acoustic thinking of epoch, micro-chromatics, micro-interval, comma, diesis, five-limit tuning, pitch space, Salinas’s 24-level system, summarized chromatics, equal temperament
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