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SOURCE:    Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art.
Issues of Theory and Practice. Tambov: Gramota, 2013. № 4. Part 2. P. 183-189.
SCIENTIFIC AREA:    Study of Art
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P. I. CHAIKOVSKII’S VIEWS ON VOCAL PERFORMANCE OF THE SECOND HALF OF THE XIX TH CENTURY
Ushullu Il'ya Il'ich
Moscow State Conservatory named after P. I. Chaikovskii
Abstract. The author reveals P. I. Chaikovskii’s views on vocal performance of the second half of the XIX th century, as a result of the composer’s musical-critical legacy analysis reveals his views on the ability to compose for voice, on the state of singing culture that was contemporary to him, on the priorities of vocal art, mentions the complexity of the Russian vocal school development during that period as a result of new trends emergence in opera music and increasing professional requirements to singers, and substantiates P. I. Chaikovskii’s contribution to the formation of a new vocal performance standard, based on the organic incarnation of a particular stage character, acting skills, the natural methods of voice leading, broad melodiousness, the firm knowledge of the text and the irreproachability of artistic taste.
Key words and phrases: Чайковский, история вокального исполнительства, русская школа пения, критерии исполнительства, оперная музыка, музыка для голоса, Chaikovskii, vocal performance history, the Russian vocal school, criteria of performance, opera music, music for voice
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References:
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