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Abstract. The article is devoted to the issue of the stylistic differentiation of the German polyphonic songs of the Renaissance. The author proceeds from the typology of songs according to tenor load: Volksliedweise and Hofweise . The article topicality is conditioned by the fact that secular polyphonic Lied , unlike other European Renaissance vocal genres, for the first time becomes the object of special consideration in the domestic musicology. The author seeks to reveal the typological characteristics of song texts poetics based on Volksliedweise .
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Key words and phrases: Германия, эпоха Возрождения, полифоническая песня, первоисточник Volksliedweise, поэтика песенных текстов, поэтический мотив, шванк, Germany, Renaissance, polyphonic song, original source of Volksliedweise, song texts poetics, poetic motif, Schwank
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Русский
