Discursive and Aesthetic Paradoxes of Modern Russian Original Rock Poetry (Based on S. Kalinin’s Creative Work). Article Two
Loktevich Ekaterina Vyacheslavovna
Belarusian State University
Submitted: 29.07.2022
Abstract. The aim of the study involves a contrast-comparative analysis of the discursive and aesthetic intersections of the media author, the author himself and the lyrical hero as subjects of the consciousness of a rock work. The scientific novelty of the study is to identify and comprehend the trajectory of the “movement” of the ideological and philosophical semantics of three types of texts (project-artistic, media-artistic and rock text) through the PR mediation of a media author. As a result, it is proved that changes in the subject organization of modern Russian original rock poetry, represented by S. Kalinin’s creative work, are interdependent with the formation of existential-virtual artistry, which is genetically linked to transformations in the communicative-figurative sphere of the Internet space and the expansion of the dialogic possibilities of the current media environment.
Key words and phrases: рок-поэзия, субъектная организация поэзии, автор, лирический герой, постпостмодернизм, rock poetry, subjective organization of poetry, author, lyrical hero, post-postmodernism
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