Discursive-Aesthetic Paradoxes of Modern Russian Original Rock Poetry (by the Material of S. Kalinin’s Creative Work). Paper One
Loktevich Ekaterina Vyacheslavovna
Belarusian State University
Submitted: 09.07.2022
Abstract. The study aims to identify and carry out a comparative analysis of the discursive-aesthetic markers of the immediate author and the media author in S. Kalinin’s creative work through the interpretation of interviews, media-artistic texts and author’s commentary intertextually representing the axiology of rock poetry. Scientific novelty of the study lies in affirming the self-worth and subjective authenticity of the media author who gives himself the authority of the immediate author and the persona for the purpose of intersubjective leadership in the subject organisation of the rock text. As a result, it has been proved that S. Kalinin’s media author is not an image of the immediate author or the biographical author, but performs the function of an independent subject influencing the reception of artistic texts and the ideological-philosophical status of the persona of his rock poetry. Such transformations are explained by the specifics of the philosophical aesthetics of post-postmodernism, the synthetic nature of a rock piece of work and the cultivation of the artistic Internet universe.
Key words and phrases: рок-поэзия, субъектная организация рок-текста, автор, читатель, рецепция, rock poetry, subject organisation of the rock text, author, reader, reception
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