Image of Russia in Julian Barnes’s Novels "Flaubert’s Parrot" and "The Noise of Time"
Kirpichnikova Anna Andreevna, Tarasova Veronika Vladimirovna
Kazan Federal University
Submitted: 15.04.2021
Abstract. The purpose of the article is to determine specificity of the image of Russia in the novels "Flaubert’s Parrot" and "The Noise of Time" by Julian Barnes. The study is novel in that it is the first to demonstrate how the image of Russia fits into the context of a postmodernist work and correlates with the idea of chaos, irony and culture mixing. As a result, it is proved that the image of Russia is based, on the one hand, on national myths and stereotypes and, on the other hand, on works of the classical Russian literature. The former are used to describe everyday life and are inextricably linked to such phenomena as alcohol abuse, the image of the "brown bear", etc. In the second case, there are constant references to Turgenev, Nabokov, Shostakovich, the so-called high culture.
Key words and phrases: образ России, британский постмодернизм, Джулиан Барнс, смешение культур, идея хаоса, image of Russia, British postmodernism, Julian Barnes, culture mixing, idea of chaos
Open the whole article in PDF format. Free PDF-files viewer can be downloaded here.
References:
Barns Dzh. Popugai Flobera / per. s angl. A. Borisenko, V. Son'kina. M.: Inostranka; Azbuka-Attikus, 2017. 320 s.
Barns Dzh. Shum vremeni / per. s angl. E. Petrova. M.: Azbuka-Attikus, 2016. 230 s.
Zel'venskii S. Afisha Daily // Barns Dzh. Shum vremeni. M.: Inostranka, 2016. S. 6-7.
Kirpichnikova A. A. Yazykovye osobennosti postmodernistskogo romana i spetsifika ego perevoda (na primere romana V. Pelevina "Generation "P"" i ego perevoda E. Bromfilda) // Kazanskii lingvisticheskii zhurnal. 2018. T. 1. № 3 (3). S. 88-95.
Sidorova O. G. "Bol'shoi terror" v sovremennom britanskom romane // Izvestiya Ural'skogo federal'nogo universiteta. Seriya "Gumanitarnye nauki". 2017. T. 19. № 4 (169). S. 161-175.
Khabibullina L. F. Obraz Rossii v romane D. Frensisa "Predvaritel'nyi zaezd" (1978) // Vestnik Tatarskogo gosudarstvennogo gumanitarno-pedagogicheskogo universiteta. 2009. № 1 (16). S. 98-102.
Barnes J. The noise of time. L.: Vintage, 2016. 184 p.
Conquest R. The Great Terror: Stalin’s Purge of the Thirties. N. Y.: The Macmillan Company, 1968. 633 p.
Cross A. The Russian Theme in English Literature from the Sixteenth Century to 1980. An Introductory Survey and a Bibliography. Oxford: Oxford University Press, 1985. 278 p.
Julian Barnes: The full interview - BBC Newsnight [Elektronnyi resurs]. URL: https://www.youtube.com/watch?v=gBAgKTtZMMQ (data obrashcheniya: 10.04.2021).
McHale B. POSTcyberMODERNpunkISM // Storming the Reality Studio: A Casebook of Cyberpunk and Postmodern Science Fiction / ed. by L. McCaffery. Durham: Duke University Press, 1991. P. 308-323.
Smyslova E. V., Eremeeva G. R. Evaluative component of the artistic discourse and its means of actualization in the short stories by W. S. Maugham // Academic Journal of Interdisciplinary Studies. 2019. Vol. 8. № 3. P. 40-44. DOI: 10.36941/ajis-2019-0005.
Smyslova E. V., Khabibullina L. F. The Enderby novels by Anthony Burgess: The artist’s concept // Humanities and Social Sciences Reviews. 2019. Vol. 7. Iss. 6. P. 81-84.
Todd R. Postmodernism in the United Kingdom and the Republic of Ireland // International Postmodernism: Theory and Literary Practice / ed. by H. Bertens, D. Fokkema. Amsterdam: John Benjamins, 1997. P. 337-349.