Intermediality of Artistic World of the Novel "Gryll Grange" by Thomas Love Peacock: Principles of Theatre and Operetta
Lipnyagova Svetlana Gennadievna, Pudova Olga Alexandrovna
Krasnoyarsk State Pedagogical University named after V. P. Astafiev
Submitted: 02.05.2020
Abstract. The article is devoted to studying intermediality as a poetological category in the novel "Gryll Grange" (1861) by Thomas Love Peacock (1785-1866). It is shown that musicality combined with the dramatic element constitutes intermedial dominant of the novel. The paper aims to analyse representation of the categories "theatricality" and "musicality" in the novel’s poetics. The findings indicate that musical and theatrical codes, along with conventional novelistic techniques, contribute to forming a multi-level text structure, which allows considering T. L. Peacock’s novel as a meta-performance. Scientific originality of the study involves an intermedial analysis of the novel’s poetics.
Key words and phrases: Томас Лав Пикок, роман "Усадьба Грилла", интермедиальность, законы театра и оперетки в романе, Thomas Love Peacock, novel "Gryll Grange", intermediality, principles of theatre and operetta in novel
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