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SOURCE:    Philology. Theory & Practice. Tambov: Gramota, 2020. № 1. P. 80-84.
SCIENTIFIC AREA:    Philological Sciences
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https://doi.org/10.30853/filnauki.2020.1.17

Artistic Dominants of C. F. Meyer’s Novella "Gustav Adolf’s Page"
Anisimova Aleksandra Naumovna, Efremova Yuliya Ivanovna
Moscow City University (Branch) in Samara

Samara State University of Economics
Submitted: 13.11.2019
Abstract. The article is devoted to studying the creative work of the Swiss literary classic Conrad Ferdinand Meyer, a representative of the XIX-century realism whose works were published in our country at the beginning and in the middle of the XX century but still remain little studied. The paper analyses artistic dominants of C. F. Meyer’s novella "Gustav Adolf’s Page": storyline, subjective organization and space characteristic. Special attention is paid to the motive analysis. For the first time the authors consider the motive of double identity in C. F. Meyer’s novella in its correlation with other motives (love, death, war, game), examine the basic storyline and problematics of this literary work.
Key words and phrases: швейцарская литература, Конрад Фердинанд Майер, мотив, хронотоп, новелла, художественные доминанты, Swiss literature, Conrad Ferdinand Meyer, motive, chronotope, novella, artistic dominants
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