IDEOLOGICAL AND ARTISTIC ORIGINALITY OF N. P. WAGNER’S STORY "NEW YEAR"
Norina Natal'ya Viktorovna
Solikamsk State Pedagogical Institute (Branch) of Perm State National Research University
Submitted: 03.07.2019
Abstract. The article considers the ideological and artistic originality of N. P. Wagner’s story "New Year", which previously has not attracted the attention of literary critics and historians of literature. The study focuses on identifying the peculiarities of the writer’s worldview. The researcher tackles the following issues: artistic devices (linguistic means, story development techniques), the Christmas story canon as a basis of the storyline and its transformation in the story, poetics and the sources of images. N. P. Wagner’s story is compared with the works of the giants of the West European and Russian literature of the XIX century - Ch. Dickens, H. Ch. Andersen, N. V. Gogol, F. M. Dostoevsky, N. A. Nekrasov. The analysis indicates that the complicated genre structure of N. P. Wagner’s story combining the genre features of a tale, Christmas story and didactic story satisfies the author’s didactic purpose: to evoke sympathetic feelings and to stimulate a young reader’s thought.
Key words and phrases: литературная сказка, рождественский рассказ, назидательный рассказ, концепты "младенец" и "старик", структура сюжета повествования, мотивно-образная структура, интертекстуальные связи, Н. П. Вагнер, рассказ "Новый год", literary tale, Christmas story, didactic story, concepts "baby" and "old man", story structure, motive-figurative structure, intertextual relations, N. P. Wagner, story "New Year"
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