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SOURCE:    Philology. Theory & Practice. Tambov: Gramota, 2019. № 8. P. 38-42.
SCIENTIFIC AREA:    Philological Sciences
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https://doi.org/10.30853/filnauki.2019.8.7

MUSICAL METAPHOR IN M. TSVETAEVA’S LITERARY CRITICAL ESSAYS

Egorov Aleksandr Aleksandrovich
University of Tartu


Submitted: 04.06.2019
Abstract. The article is devoted to the problem of M. Tsvetaeva’s perception of theoretical, historical and literary conceptions of the first third of the XX century, which are represented through musical metaphors in her literary critical texts. The author identifies the peculiarities of Tsvetaeva’s metaphors, which somehow contradict the objective neutral style typical of historical and literary works. The paper discovers how M. Tsvetaeva’s musical metaphors, being "philological" in their essence, suggest an original interpretation of the literary theory of the 1910-1930s. So, the paper considers M. Tsvetaeva’s metaphorical perception of current literary conceptions.
Key words and phrases: М. Цветаева, проза, литературно-критические статьи, поэтика, музыкальная метафора, "филологическая" метафора, литературная теория, M. Tsvetaeva, prose, literary critical essays, poetics, musical metaphor, "philological" metaphor, literary theory
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