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SOURCE:    Philology. Theory & Practice. Tambov: Gramota, 2019. № 4. P. 355-359.
SCIENTIFIC AREA:    Philological Sciences
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https://doi.org/10.30853/filnauki.2019.4.73

ONEGIN’S PORTRAIT IN THE NOVEL BY A. S. PUSHKIN "EUGENE ONEGIN" AND POETICAL MEANS USED TO CREATE IT
Utkina Elena Viktorovna
Orenburg State Pedagogical University
Submitted: 10.02.2019
Abstract. The article examines the main personage’s portrait in the novel by A. S. Pushkin "Eugene Onegin" and analyses the poetical means used to create it: rhyme, poetical line break and the peculiarities of rhythmic motion (spondees and pyrrhics). Onegin occupies a special place in the novel’s figurative and ideological system and his portrait represents a complicated image dynamics. The researcher characterizes the hero’s portrait, identifies the portrait-formative and poetical means, which constitutes the originality of the study. It is shown that Pushkin tended to use the elements of different types of portraits (dynamic, static, psychological, abstract ones), actively used poetical means. The findings justify Pushkin’s intention to create a multi-dimensional portrait, which allowed him to develop a movable but holistic image.
Key words and phrases: портрет, поэтический портрет, А. С. Пушкин, стиховые средства, динамический портрет, статический портрет, разнопортретность, portrait, poetical portrait, A. S. Pushkin, poetical means, dynamic portrait, static portrait, multi-dimensional portrait
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