REPRESENTATION OF RENAISSANCE HUMANISM IN THE PLAYS "ROSENCRANTZ AND GUILDENSTERN ARE DEAD" BY T. STOPPARD, "THE MURDER OF GONZAGO" BY N. YORDANOV, "OPHELIA" BY T. AKHTMAN, "AMLETO IN SALSA PICANTE" BY A. NICOLAJ, "FORTINBRAS GETS DRUNK" BY J. G?OWACKI
Lipnyagova Svetlana Gennad'evna, Shchukina Marina Sergeevna
Krasnoyarsk State Pedagogical University named after V. P. Astafyev
Submitted: 11.10.2019
Abstract. The article examines artistic representation of Renaissance humanism in the plays "Rosencrantz and Guildenstern Are Dead" by T. Stoppard, "Amleto in Salsa Picante" by A. Nicolaj, "Fortinbras Gets Drunk" by J. G?owacki, "The Murder of Gonzago" by N. Yordanov, "Ophelia" by T. Akhtman. The researchers provide a contrastive-comparative analysis of the mentioned plays, which are considered as the most vivid examples of artistic reinterpretation of Renaissance humanism in the European dramaturgy of the last third of the XX century. Reinterpretation, dehumanization, decentralization of Hamlet’s image allow concluding about denial of Renaissance humanism in the modern European dramaturgy. The paper summarizes new material on this issue, clarifies the notion of Renaissance humanism and proposes a hypothesis on the existence of "Hamlet’s text" in the European literature.
Key words and phrases: ренессансный гуманизм, "гамлетовский текст", дегуманизация, повествовательная доминанта, симулякр, современная драматургия, Т. Стоппард, Т. Ахтман, А. Николаи, Я. Гловацкий, Н. Йорданов, Renaissance humanism, "Hamlet’s text", dehumanization, dominant narrative, simulacrum, modern dramaturgy, T. Stoppard, T. Akhtman, A. Nicolaj, J. G?owacki, N. Yordanov
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