"THE DISTANT LOVER" BY CHRISTOPH HEIN AND "THE STRANGER" BY ALBERT CAMUS: SPECIFICITY OF REPRESENTING EXISTENTIAL CONSCIOUSNESS
Valeeva Al'fiya Revanerovna, Gil'fanova Gul'nara Tavkil'evna, Nikulina Elena Aleksandrovna
Naberezhnye Chelny State Pedagogical University
Naberezhnye Chelny Institute of Kazan (Volga Region) Federal University
Moscow Pedagogical State University
Submitted: 13.11.2019
Abstract. The article is devoted to analysing the key existentialistic novels in the German and French literature. The novels "The Distant Lover" by Christoph Hein and "The Stranger" by Albert Camus are compared in order to reveal the specificity of representing existential consciousness. The paper examines the main characters’ images; analyses the motive structure, genre features and narrative technique. The researchers identify the similarity of existential motives (the motive of death, stranger, etc.), genre and stylistic features and the differences of the writers’ artistic worldviews regarding such issues as interpretation of death, absurdity of human existence, the problem of estrangement.
Key words and phrases: экзистенциальное сознание, экзистенциальная проблематика, мотив, К. Хайн, А. Камю, художественное мироощущение, existential consciousness, existential problematics, motive, С. Hein, A. Camus, artistic worldview
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