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SOURCE:    Philology. Theory & Practice. Tambov: Gramota, 2019. № 10. P. 51-55.
SCIENTIFIC AREA:    Philological Sciences
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https://doi.org/10.30853/filnauki.2019.10.12

AUTOBIOGRAPHY GENRE IN KEDRA MITREI’S PRE-REVOLUTIONARY CREATIVE WORK

Dmitrieva Larisa Aleksandrovna, Zaitseva Tat'yana Ivanovna
The Udmurt Institute of History, Language and Literature of the Udmurt Federal Research Centre of the Ural Branch of the Russian Academy of Sciences

The Udmurt State University


Submitted: 14.08.2019
Abstract. The article examines the genre peculiarities of an autobiographical work by the classic of the Udmurt literature Kedra Mitrei (Korepanov Dmitrij Ivanovich, 1892-1949). Archival study helps to clarify the genre nature of Kedra Mitrei’s autobiography. The handwritten version has remained untitled, and in his letters, the writer uses different titles: "Autobiography and Memoirs", "Diary", "Memoirs". The manuscript was published partially after the writer’s death as an autobiographical story under the title "The Child of Decay". The analysis of the author’s text, archival documents and existing approaches to interpreting this autobiographical work allows concluding that it belongs to the original synthetic genre of documentary and literary autobiography. In pre-revolutionary autobiography, the writer represented his life events by means of fiction.
Key words and phrases: Кедра Митрей, удмуртская дореволюционная проза, документально-художественная автобиография, автор, мемуары, дневник, жанр, повествователь, Kedra Mitrei, Udmurt pre-revolutionary prose, documentary and literary autobiography, author, memoirs, diary, genre, narrator
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