MUSICAL IMAGERY IN THE POETRY OF S. E. NELDIKHEN IN THE 1920S
Ryabova Mariya Viktorovna
Perm State Humanitarian-Pedagogical University
Submitted: 19.01.2018
Abstract. The article considers the originality of musical imagery in S. E. Neldikhen’s poetry of the 1920s. Attention is focused on the images of musical instruments, their functioning in syllabo-tonic verse and in works having a unique synthetic form. The reasons for S. Neldikhen’s appeal to musical images are comprehended; their role in the artistic structure of his works is studied. The specificity of the semantic content of the organ image is determined. The connection between the musical imagery and the synthetic form, the images of musical instruments and the philosophical views of the poet is traced.
Key words and phrases: С. Е. Нельдихен, синтетическая форма, музыкальная образность, орган, гармошка, пародия, S. E. Neldikhen, synthetic form, musical imagery, organ, accordion, parody
Open the whole article in PDF format. Free PDF-files viewer can be downloaded .
References:
Gevorkyan A. V. O "sinteze iskusstv": zametki k teme // Poetika russkoi literatury kontsa XIX - nachala XX veka. Dinamika zhanra. Obshchie problemy. Proza / nauch. red. V. A. Keldysh, V. V. Polonskii. M.: IMLI RAN, 2009. S. 211-244.
Nel'dikhen S. E. Organnoe mnogogolos'e. M.: OGI, 2013. 512 s.
Roizman L. I. Organ // Muzykal'naya entsiklopediya: v 6-ti t. / gl. red. Yu. V. Keldysh. M.: Sovetskaya entsiklopediya, 1978. T. 4. S. 69-76.
Tynyanov Yu. N. O parodii // Tynyanov Yu. N. Poetika. Istoriya literatury. Kino. M.: Nauka, 1977. S. 284-309.
Русский
