ON THE FORMATION OF MUSICAL COMEDY GENRE IN THE KABARDINO-CIRCASSIAN DRAMA
Abazov Al'bek Chamirovich, Bakova Madina Muaedovna, Astezheva Aishat Maevna
Kabardino-Balkarian State University named after H. M. Berbekov
Karachaevo-Cherkessky State University named after U. D. Aliev
Abstract. The article is devoted to the study of the questions of origin, formation and development of a musical comedy, which remain the least studied in Adyghe literary criticism. In this regard, attention is focused on the genre identity of the Kabardino-Circassian comedy as a kind of dramatic art. It is established that, unlike the Adyghe and Circassian comedy, the Kabardian comedy has accumulated more experience and has become the heritage of the music world much earlier. In this connection, the main attention in the paper is paid precisely to the problem of scientific coverage of the first steps of Kabardian musical comediography.
Key words and phrases: культура, драматург, театр, либретто, музыка, комедия, композитор, culture, playwright, theatre, libretto, music, comedy, composer
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