CONCEPTUAL DOMINANTS OF THE KING’S IMAGE IN THE ANGLO-SAXON POETIC LINGUISTIC CULTURE
Tomberg Ol’ga Vital’evna
Ural Federal University named after the first President of Russia B. N. Yeltsin
Submitted: 17.09.2018
Abstract. The article focuses on the study of the linguistic-cultural specificity of the king’s image in the Old English literature. At the plot level, the image is marked by predominantly positive connotation; the plot roles of negative characters are associated with the motives of paganism and the inability to protect their people. The author also considers the main axiological scenarios of the Old English king, actualized in his plot functions. The linguistic-stylistic frame of the image is formed by the value dominants of the old English culture; the speech level of the analysis represents the king as an authoritarian ruler, endowed with the right to express the common values of the whole nation. The conceptual dominants of the image include the axiologemes of kinship, wealth, war, glory, age, wisdom, courage, power and protection.
Key words and phrases: художественный образ, персонаж, речевой портрет, стилистическая доминанта, ценность, концепт, концептуальное пространство, literary image, character, speech portrait, stylistic dominant, value, concept, conceptual space
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