TYPES OF ECPHRASIS IN D. I. STAKHEEV’S ART STORIES
Bozhkova Galina Nikolaevna, Shabalina Nadezhda Nikolaevna, Shabalina Irina Gennad'evna
Yelabuga Branch of the Kazan (Volga region) Federal University
Secondary School N10
Abstract. The article for the first time examines the types of ecphrasis in the art stories of the little known Yelabuga writer of the XIX century D. I. Stakheev who was on friendly terms with the world-famous painter I. I. Shishkin which promoted the development of Stakheev’s artistic talent. That’s why D. I. Stakheev’s prose is full of pictorial ecphrasis, in particular, such types of it as interpretative, dynamic performing psychological function. Ecphrasis techniques allow the author to create artistic image and show his attitude to professionalism and dilettantism in painting.
Key words and phrases: экфрасис, пластическое искусство, статический экфрасис, толковательный экфрасис, знаково-символический экфрасис, живописный экфрасис, повести Д. И. Стахеева, психологизм, "Из рассказов художника", "У храма искусств", ecphrasis, plastique art, static ecphrasis, interpretative ecphrasis, emblematic and symbolic ecphrasis, pictorial ecphrasis, D. I. Stakheev’s stories, psychologism, "The Painter’s Sketches", "Near the Temple of Art"
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Русский
