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Abstract. The aim of the article is to conduct an artistic analysis of the Chuvash poet S. Azamat’s short poems, the identification of the features of the traditions of folklore and the Eastern lyric poetry. It is noted that referring to brevity in form and the Eastern traditions becomes especially characteristic of transitional periods in the development of literature. The features of one-line verses are the use of words with close sound, transferring a special meaning through them. In tercets the poet depicts landscape sketches, periods of change in love feelings, for quatrains depicting of the inner world of the lyric character together with the landscape is typical. The combination of the Eastern poetics and the traditions of the Chuvash folklore is typical of the Chuvash and Russian poems. Thus, the striving for brevity, the expression of a profound meaning in them is a synthesis of author’s artistic idea, the influence of the traditions of the Chuvash folklore and the Eastern literature.
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Key words and phrases: стихотворение, поэтика, восточные традиции, краткостишие, чувашский фольклор, стихотворные жанры, синтез, образный параллелизм, слова-символы, С. Азамат, poem, poetics, the Eastern traditions, short poem, the Chuvash folklore, poetic genres, synthesis, image parallelism, word-symbols, S. Azamat
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Русский
