THE RUSSIAN-GERMAN "MUSICAL" DIALOGUE OF CULTURES IN THE CREATIVE WORK OF V. F. ODOYEVSKY
Zhdanov Sergei Sergeevich
Siberian State University of Geosystems and Technologies
Abstract. The article studies the image of the German music presented in the literary heritage of V. F. Odoyevsky, including both his journalistic works (critical notes, reviews, surveys) on music, and the novel "Sebastian Bach". At the same time, in the work of the Russian writer and musicologist of the XIX century, the Russian and German musical "worlds" are in close interconnection, forming a space for a dialogue of cultures. The images of music and musicians of Germany, individually reconsidered by V. F. Odoyevsky, are one of the important elements of it.
Key words and phrases: В. Ф. Одоевский, музыка, персоносфера, композитор, русский, немецкий, С. Бах, Германия, Россия, имагология, V. F. Odoyevsky, music, personosphere, composer, Russian, German, S. Bach, Germany, Russia, imagology
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