VERSE "MUSIC" IN THE ESTHETIC CONCEPTIONS BY A. A. FET AND RUSSIAN SYMBOLISTS
Makarova Svetlana Anatol'evna
Moscow
Abstract. The article compares two theoretical "verse music" conceptions - by A. A. Fet and Russian symbolists. Fet introduced the first in the domestic poetics holistic conception of "musical" lyrics. In symbolistic esthetics the "musical poetry" theory reached its zenith and acquired the solid philosophical foundation. Comparative analysis of two conceptions allows identifying the common and different in the "musical" content of lyrical works, psychology of creation, "music" of poetical form. Having analyzed Fet’s and symbolistic "verbal music" theories and modern philological researches the author introduces theoretical-literary, prosody-based definition of the category "musicality".
Key words and phrases: "чистое искусство", "старшие" символисты, "младосимволисты", концепция напевной лирики, философия музыки и ритма, образ поэта, "музыкальность" стихотворной формы, национальное своеобразие, "art for art’s sake", "elder" symbolists, "junior" symbolists, melodious lyrics conception, philosophy of music and rhythm, image of poet, "musicality" of poetical form, national specificity
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Русский
