THE IMAGES OF MOSCOW IN THE NOVEL BY B. PASTERNAK "DOCTOR ZHIVAGO"
Chaglyyan Shakar Kyubra
Lomonosov Moscow State University
Abstract. The article considers the image of Moscow and means of its creation in the novel by B. Pasternak "Doctor Zhivago". Special attention is paid to the mythology of the city, the analysis of topoi, metonymically presenting various socially-cultural aspects of the life of the city, and also means of overcoming of a seeming discreteness of narration and the creation of the image of a single space ("narrowness of a communicative row"). The address to the motive of the city animation allows revealing the community of the fates of the city and a man, their reciprocal assimilation.
Key words and phrases: "Доктор Живаго", образ Москвы, городские мифы, топос, культурно-исторические номинации, симультанность, урбанизм, дискретность повествования, антропоморфизм, взаимоуподобление города и героя, "Doctor Zhivago", the image of Moscow, urban myths, topos, cultural and historical nominations, simultaneity, urbanism, discreteness of narration, anthropomorphism, reciprocal assimilation of a city and a character
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