DOUBLE IDENTITY AS AN IDEAL OF ESTHETIC SELF-EXPRESSION IN THE PLAYING GROUND OF NABOKOV’S MIRROR-WORLD IN THE NOVEL "DESPAIR"
Strel'nikova Larisa Yur'evna
Kuban State University
Abstract. The article analyzes the novel by V. Nabokov "Despair" from the viewpoint of ontological principles of modernistic game poetics. The author shows that game aspect of the writer’s creative work is a key one and becomes an esthetic means of existence for the personage of the novel Hermann who is focused on asserting himself in the world through staging a crime as a work of art. The researcher concludes that V. Nabokov blurs the religious and esthetic criteria in favour of the dominance of esthetic form over the internal content of a personality.
Key words and phrases: модернизм, интертекстуальность, игровая поэтика, двойничество, аллюзии, экзистенциализм, В. Набоков, modernism, intertextuality, game poetics, double identity, allusions, existentialism, V. Nabokov
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