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Abstract. The article presents a small part of the work associated with the attempt to understand the dialectics of the author’s consciousness in the philosophical lyrics of Arseny Tarkovsky. The system of its subject-object intentions formation through the prism of the category of private and universal is considered; the paradigm of motion in the system of the poet’s ontological and gnoseological consciousness is interpreted. The object continuum, which merges into a single ontological system in the poet’s lyrics during the 60s of the XX century, is created.
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Key words and phrases: философская лирика, авторское сознание, диалектика, частное, всеобщее, субъектно-объектные интенции, philosophical lyrics, author’s consciousness, dialectics, private, universal, subject-object intentions
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Русский
