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SOURCE:    Philology. Theory & Practice. Tambov: Gramota, 2014. № 11. Part 1. P. 82-84.
SCIENTIFIC AREA:    Philological Sciences
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IMAGE OF M. VOLOSHIN AT THE CROSSROADS OF WORLD CULTURES AND CIVILIZATIONS

Zayats Sergei Mikhailovich
T. Shevchenko Transnistria State University


Abstract. The article investigates the creative image of a Russian poet of the Silver Age Maximilian Voloshin who inscribed in golden letters his creative personality in the heritage of a world culture. Maximilian Voloshin’s world-view is permeated with the deeper layers of ancient civilization which, being specifically interpreted and intertwined, entered the creative code of Silver Age culture and such cultural phenomenon as Cimmeria reconstructed by Voloshin’s mythopoetry.
Key words and phrases: лик, Максимилиан Волошин, Киммерия, Коктебель, перекресток, Дом Поэта, image, Maximilian Voloshin, Cimmeria, Koktebel, crossroads, House of a Poet
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References:
  1. Voloshin M. Liki tvorchestva. L.: Nauka, 1988. 848 s.
  2. Gromov M. N. Izbornik 70. Tver': Al'fa-press, 2013. 560 s.
  3. Zhukova O. A. Kurs lektsii po filosofii i istorii russkoi kul'tury. M.: Al'teks, 2012. 368 s.
  4. Zayats S. M. Lik M. Voloshina i estetika simvolizma // Filologicheskie nauki. Voprosy teorii i praktiki. Tambov: Gramota, 2013. № 7 (32). Ch. 1. S. 72-75.
  5. Maximilian Volochine. Poete, critigue et peintre russe dans le Paris de la Belle Epogue: satalogue de l’exposition concu et redige par Marie-Aude Albert. 2010. Avec le concours d’AVC Charity Foudation London. 64 p.

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