DESTINY OF RUSSIAN INTELLECTUALS IN TOM STOPPARD’S PLAY "EVERY GOOD BOY DESERVES FAVOUR"
Vafina Alsu Khadievna
Kazan (Volga Region) Federal University
Abstract. The article is devoted to the representations forms research of the author’s attitude to civilizing discourse of the Russian history understanding in the West-European culture. The unfreedom theme analysis at the content level in inseparable unity with the paradox principle of Tom Stoppard’s text discloses the inconsistence of the totalitarian system in his struggle against the introspect conscience of Russian intellectual.
Key words and phrases: постмодернизм, театр абсурда, Том Стоппард, "диссидентские пьесы", автор, герой, нарратор, post-modernism, absurd theater, Tom Stoppard, "dissident plays", author, hero, narrator
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