INTERPRETATION OF CHILDHOOD THEME IN MIECZYSLAW WEINBERG’S PIANO CYCLES OF MINIATURES
Voskoboinikova Anna Semenovna
Russian National Ballet named after Sergei Radchenko in Moscow
Abstract. This article discusses, for the first time in musicology, piano cycles of miniatures of the outstanding composer of the XX century Mieczyslaw Weinberg: Three Children’s Notebooks and 17 Light Pieces. They are called "children’s" only conditionally, because these works preserve memory of the war tragedy. The author draws attention to subtlety of their musical language intended for a mature pianist, as well as stylistic diversity and non-trivial connotations with the music of some outstanding composers of the epochs of baroque, impressionism and modernism.
Key words and phrases: Мечислав Вайнберг, Три детских тетради, 17 легких пьес для фортепиано, цикл фортепианных миниатюр, реквием по детям, Куперен, Равель, Сати, барокко, импрессионизм, модернизм, мультикультурный феномен, Mieczyslaw Weinberg, Three Children’s Notebooks, 17 Light Pieces for Piano, cycle of piano miniatures, requiem for children, Couperin, Ravel, Satie, baroque, impressionism, modernism, multicultural phenomenon
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Русский
