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Abstract. The article examines one of thematic trends in the first professional Mansi composer V. Shestalov’s activity. In particular, the paper considers "Bear Games", which became a subject of scientific research and were artistically represented in the composer’s works. The author concludes that his perception of this "holiday" developed from musicological interpretation to art analysis and reached the research area of culturology. The culturological approach to "Bear Games" interpretation manifests itself most clearly in V. Shestalov’s scientific activity.
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Key words and phrases: угорская мифология, "медвежий праздник", мифологическая модель мира, народные музыкальные инструменты, медведь, ханты и манси, Ugric mythology, "Bear Holiday", mythological world model, folk musical instruments, bear, the Khanty and the Mansi
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Русский
