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SOURCE:    Almanac of Modern Science and Education. Tambov: Gramota, 2017. № 2. P. 41-45.
SCIENTIFIC AREA:    Study of Art
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MIECZYS?AW WEINBERG’S EARLY PIANO PIECES IN THE CONTEXT OF POLISH ROMANTICISM AND POSTROMANTICISM

Voskoboinikova Anna Semenovna
Russian National Ballet named after Sergei Radchenko in Moscow


Abstract. The article deals with stylistic features of early piano pieces by the outstanding composer of the XX century Mieczyslaw Weinberg in terms of impact of Polish musical culture on him. This aspect is poorly covered in musicology being at the same time the underlying one in the study of the composer’s musical style, because it was native Poland, which gave Weinberg’s music the "western" colour, which served as a basis for determining his multicultural phenomenon.
Key words and phrases: Мечислав Вайнберг, Польша, романтизм, постромантизм, Шопен, Шимановский, мультикультурный феномен, ранние сочинения Вайнберга, фортепианные пьесы, Колыбельная ор. 1, Мазурки ор. 10, 10а, Mieczyslaw Weinberg, Poland, romanticism, postromanticism, Chopin, Szymanowski, multicultural phenomenon, Weinberg’s early works, piano pieces, Lullaby Op. 1, Mazurkas Op. 10, 10a
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