Abstract. This article focuses on the insufficiently studied problem of reminiscence as a special kind of intertextuality in dramaturgic communication, as well as on its cognitive- and communicative-pragmatic properties, which are largely brought about by the synthesis of invariant basis and the author’s intentional modification of intertextuality. As the main illustrative material the author gives both stated earlier and previously undescribed examples of reminiscences in dramaturgy.
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Key words and phrases: реминисценция, интертекст, интертекстуальность, драматургия, пьеса, коммуникация, коммуникативно-прагматическая цель, reminiscence, intertext, intertextuality, dramaturgy, play, communication, communicative-pragmatic purpose
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